Tobacco Project: Red Book
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Library Information and Colophon
Title |
Tobacco project : Red Book View record in CONTENTdm |
Publication |
North Carolina: Xu Bing, 2000 |
Library Call # |
N7433.4.X8 T63 2000 View Reed library catalog record |
Description |
24 cigarettes in two metal cases; 9 x 10 cm |
Colophon/Notes |
Numbered and signed by author In first case: In second case: ‘On Coalition Government’ |
Biography
Xu Bing
(1955- )
Chinese
Xu Bing is a conceptual artist whose work often revolves around language, writing, and books. The book Tobacco Project: Red Book by Xu Bing in Reed’s Special Collections consists of two Chinese tin cigarette boxes each containing 12 cigarettes each with lines from the Communist Manifesto printed on their wrappers.
Xu Bing was born in Chongqing, (Sichuan Province) in 1955 and grew up in Beijing surrounded by books at Beijing University where his parents worked.1 He obtained a BA in printmaking at the Central Academy of Fine Arts (CAFA), Beijing in 1981 where he then stayed on as an instructor, earning his MFA in 1987. He moved to the United States in 1990 upon invitation of the University of Wisconsin-Madison. Bing currently serves as the Vice President of CAFA and lives in New York.2
Tobacco Project: Red Book in Reed’s Special Collections is one piece of many in a project commissioned by Duke University in Durham, North Carolina. This undertaking focused on the university’s historical connection to Tobacco production and marketing as Tobacco products were central to city’s and North Carolina’s economy in the state’s early days. The founders of Duke University, the Duke family, made their fortune in Tobacco, partly from their successful marketing of the product overseas, especially to China.3 The tobacco project also focuses on the impact that Tobacco marketing had on Chinese culture and included a number of site-specific installations on the Duke University campus and in the city of Durham as well as a variety of original artist books, including Red Book, which has quotations from Chairman Mao rubber stamped on Zhonghua cigarettes.
Footnotes
1 Jerome Silbergeld. “Introduction.” Persistence-Transformation: Text as Image in the Art of Xu Bing. Jerome Silbergeld, Dora C.Y. Ching, Eds. Princeton, NJ: Princeton University Press, 2006; 19.
2 “Bio.” Xu Bing Official Website. Web. 4 December 2008. View website
3 “Tobacco Art: Xu Bing’s Tobacco Project.” Xu Bing Official Website. Web. 4 December 2008. View website
References and Links
Chiu, Melissa and Zheng Shengtian. Art and China’s Revolution. New York: Asia Society; New Haven: In association with Yale University, 2008. View Reed library catalog record
Erickson, Britta. The Art of Xu Bing: Words Without Meaning, Meaning Without Words. Washington, D.C.: Arthur M. Sackler Gallery; Seattle: In Association with the University of Washington Press, 2001. View Reed library catalog record
Silbergeld, Jerome. Persistence-Transformation: Text as Image in the Art of Xu Bing. Jerome Silbergeld, Dora C.Y. Ching, Eds. Princeton, NJ: Princeton University Press, 2006. View Reed library catalog record
Smith, Karen. Nine Lives: The Birth of Avant-Garde Art in New China. Zurich: Scalo; New York: Distributed in North America by Prestel, 2006. View Reed library catalog record
Tobacco Project. Duke University for International Studies. Web. 17 November 2008. View website
“Xu Bing.” Art and Culture. Web. 4 December 2008. View website
Xu Bing Official Website. Web. 4 December 2008. View website
Wingfield, Jeremy. The Xu Bing Phenomenon. Reed College Thesis, 2001. View Reed library catalog record
Word Play. Web. 4 December 2008. View website
Other Books in Special Collections by this Author
Title |
An Introduction to Square Word Calligraphy View artist book pageView record in CONTENTdm |
Publication |
New York: s.n., 1994 |
Library Call # |
N7433.4.X8 S77 1994 View Reed library catalog record |
Description |
2 pts. in portfolio (24 p.; 14, [6] leaves); 42 cm |
Notes |
Text in English, printed in letters designed to resemble Chinese characters.
Pt. 1 is offset halftones printed in black. Pt. 2 is relief printed in red. |
Title |
The Post Testament: Connoting Today's Standard Version View artist book page View record in CONTENTdm |
Publication |
Madison, WI.: Publication Center for Culturally Handicapped, Inc., 1993 |
Library Call # |
N7433.4.X8 P68 1993 View Reed library catalog record |
Description |
570 p.; 34 cm |
Notes |
Heavy metal type on rag paper, leather binding with gold emboss. Edition of 300. |