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Johanna DruckerThe Word Made Flesh

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Library Information and Colophon

Title

The Word Made Flesh View record in CONTENTdm

Publication

New York: Granary Books, 1996

Library Call #

PS3554.R68 W67 1996 View Reed library catalog record

Description

23 leaves; 27x32cm

Colophon/Notes

Facsimile reprint of an original letterpress edition issued in 1989.

ColophoN

This is a facsimile reprint of copy #50 of the original letterpress edition. The quality of the wooden letters and metal type used in the original has been preserved in this version. It was shot on a Companica process camera and hand developed by Brad Freeman. The book was offset printed on a Heidelberg GTO in the summer of 1996 at SoHo Services in New York. The covers were hand printed by Johanna Drucker at Druckwerk in New Haven from polymer letterpress plates produced at SoHo Letterpress in New York. Finally, it was bound by Jill Jevne in McGregor, Minnesota. Published by Steven Clay, Granary Books, New York, in an edition of 500 copies.

The Druckwerk edition was produced in winter 1988-89 at the Bow and Arrow Press in the basement of Adams House at Harvard University with the kind assistance and support of Jim Barondess and Gino Lee. In that printing it required three runs: one for the large black wooden letters which spell out the title throughout the book, one for the smaller black letters, and one for the red field. It was printed letterpress in hand-set type and the justification of the small black letters was the major challenge. That edition consisted of 50 copies, bound with rivets in metallic cover papers.

Biography

Johanna Drucker

(1952- )
American

Johanna Drucker, born in 1952, is a scholarly author and creator of contemporary artists’ books. Through limited edition hand-made books she explores “the use of experimental typography to expand the possibilities of prose beyond the linear format of traditional presentation.”1

Drucker, who earned a Ph.D. in Ecriture from the University of California, Berkeley in 1986 now works as a professor at University of California, Los Angeles. She creates many of her books under her own Druckwerk press using both letterpress and offset production techniques.2 In her book The Word Made Flesh Drucker explores the visceral character of language. The text acts as both discusses and illustrates the use of typography as tangible visual medium.

footnotes

1 Johanna Drucker. "A Chronology of Books from 1970 to 1994." Web. 4 December 2008. View website

2 Matthew G. Kirschenbaum. “Through Light and the Alphabet: An Interview with Johanna Drucker.” Web. 4 December 2008. View website

Other Books in Special Collections by this Author

Title

Just As

Publication

California: J. Drucker, 1983

Library Call #

PS3554.R68 J8 1983 View Reed library catalog record

Description

20p.: ill.; 35cm

Title

Otherspace: Martian Ty/opography

Publication

Atlanta: Nexus Press; New York: Interplanetary Productions, 1992

Library Call #

PS3554.R68 O84 1992 View Reed library catalog record

Description

[4], 84, 8p.: ill. (some col.); 18cm

Notes

An edition of 500 copies.

Title

A Girl’s Life

Publication

New York: Granary Books: Distributed to the trade by D.A.P./Distributed Art Publishers, 2002

Library Call #

 PS3554.R68 G57 2002 View Reed library catalog record

Description

1v. unpaged: col. Ill.; 26cm

References and Links

Bernstein, Charles, Ed. Close Listening: Poetry and the Performed Word. New York: Oxford University Press, 1998. View Reed library catalog record

Drucker, Johanna. “A Chronology of Books from 1970 to 1994." Web. 4 December 2008. View website

Drucker, Johanna. The Alphabetic Labyrinth: The Letters in History and Imagination. New York, N.Y.: Thames and Hudson, 1995. View Reed library catalog record

Drucker, Johanna. The Century of Artists’ Books. New York: Granary Books, 1995. View Reed library catalog record

Drucker, Johanna. Dark Decade. St. Paul: Detour Press, 1995. View Reed library catalog record

Drucker, Johanna. Figuring the Word: Essays on Books, Writing, and Visual Poetics. New York, N.Y.: Granary Books: Distributed by D.A.P./Distributed Art Publishers, 1998 .View Reed library catalog record

Drucker, Johanna. Theorizing Modernism: Visual Art and the Critical Tradition. New York: Columbia University Press, 1994. View Reed library catalog record

Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art, 1909-1923. Chicago: University of Chicago Press, 1994. View Reed library catalog record

Granary Books. Web. 9 December 2007. View website

Kirschenbaum, Matthew G.. “Through Light and the Alphabet: An Interview with Johanna Drucker.” Web. 4 December 2008. View website

Wasserman, Krystyna. The Book as Art: Artists’ Books from the National Museum of Women in the Arts. New York: Princeton Architectural Press, 2007. View Reed library catalog record